morning doodle of Vulpes.
ibb.co/WN48DSt3
Any conversation
Recently hit 10+ years (cumulative) of being a software engineer. I must say, I enjoy senior level interviews much more than coding interviews.
(Opinion) People donโt like generative AI because it made the {insert creativity} too easy. Saw the HN post on โAI music banned from top 40 chart in Australiaโ and people had very strong opinions in both directions.
The hot take: If youโre ok with someoneโs creativity being outsourced to others, then you should be ok with AI doing the same.
If โAI made this and I call it mineโ is bad but โsomeone overseas on fivver made this and I call it mineโ and itโs suddenly ok, time to self reflect.
โฆ
My hot take: from the moment you use technology, be it an instrument, a synthesizer, a DAW, and now AI, it is still your idea, your effort, your time spent, and that makes it yours. Others can do the same if they choose. The same way someone chooses a classic guitar over a synthesizer, one can choose an AI over (insert ancient way of doing things).
โฆ
Youโre rolling the dice whenever you are searching for a sample or a preset in a synthesizer. Eventually itโs what โsounds goodโ, so still the effort is your judgement and the time spent finding that โdice rollโ that sounded well.
I am not a musician, so I lack the jargon to properly explain what I mean.
I used AI for creative writing (nothing too fancy, TTRPG). There, the broader the dice roll, the more generic and uninteresting the results. Slop, if you will. It was surprisingly good to build up on ideas I had however.
I imagine muisic also has building blocks. Melodies, instruments, mixing, etc. AI can perhaps be used in a similar fashion there.
I heard a perspective I sort of like: if AI is a tool then acceptable AI use is, more or less, defined as "when my audience no longer notices or cares". It's dynamic like that. Bad photoshop is detectable and annoying, so are overusing presets. Your artistry needs to expand to meet the tool.
I don't know if I 100% like that or agree. At the same time, it's a pretty straightforward line, a practical take.
I needed to process 20,000 json files & 20,000 JXL files. I'm pulling together a website from them all. Anyway, started with emacs elisp to handle it all, just because I've not done that before. Went kinda ok, and I'm gonna use org-mode to export it all to a website (done that bit loads of times before).
In the end, I ended up breaking out my C programming skills (late 80s->nowish). It was a delight. Nothing more refreshing than writing raw code, that doesn't rely on 3rd party code/libs.
a Gemma 4 a Google tulajdona, nem tรกrol mรกs adatot, csak amirลl a gรฉpen fogom a Rezsล nevลฑ OpenClaw รผgynรถkรถt kรฉrdezgetni, helyileg azt sem itt tartja, hanem a felhลnek csรบfolt infrastruktรบrรกban, ami legvalรณszรญnลฑbben valamelyik brazรญliai esลerdลben foglal helyet vagy Finnorszรกgban
Gemma 4 is owned by Google, it doesn't store any other data, except what I'll ask the OpenClaw agent named Rezsล about on the machine, it doesn't keep it locally either, but in the infrastructure mocked as the cloud, which is most likely located in a Brazilian rainforest or in Finland
I truly love the experience of using apps with rich, deeply interactive, beautifully animated, gorgeous user interfaces.
Then I see a beautiful text-based interface and something about it feels so natural, so inevitable, so perfectly clear, and I'm instantly captivated by its simplicity and clarity.
Hypertext is fascinating.
I got an email from battle.net to confirm my age. Apparently some content may be restricted to minors in the region my account is from.
You would think that the account having been created 19 years ago, and with some CD-keys of games from the late 1990's having been added to it would be enough proof, but oh well.